John Mayer’s Billboard Hits

John Mayer Songs – Clarity From His Continuum Album

John Mayer takes a stylistic left turn with this country-tinged number from his Continuum album. Its twang makes it an interesting listen for fans who were hoping for a return to the ballad-focused sound of Paradise Valley.

With bold metaphors and a searing guitar solo, Vultures represents John Mayer at his best. It also showcases his impressive vocal range.

Love On The Weekend

Featuring a memorable melody and lyrics, this song encapsulates the excitement and longing for love in the weekend. It’s a great track that shows the depth of Mayer’s vocal range and his ability to express feelings in a song.

It’s an upbeat track with a bouncy rhythm, and it’s one of the best songs from his Continuum album. The music video is also beautiful, capturing different scenes in various settings.

By this point, Mayer had moved away from his acoustic roots and had begun incorporating blues into his music. This track is a testament to his skill, and it was one of his first hits.

Not Myself

After making a minor buzz with the Inside Wants Out EP, John hired veteran producer John Alagia to beef up his full-length debut with commercial polish. Room for Squares introduced Mayer’s savvy chord progressions and clever wordplay, crafting a type of brainy pop that appealed to both discerning listeners and the mainstream.

The song Not Myself features some really catchy riffs that any guitarist will love, and a very nice atmosphere in the background. The song talks about a relationship that wasnt meant to be, and how you can always find your way back to someone you loved.

War Of My Life

This song explores themes of resolving inner conflict, identity, and the struggle between societal expectations and personal desires. The raw emotions and introspection portrayed in the lyrics allow listeners to connect with Mayer’s vulnerability, and resonate with those who have experienced similar struggles.

Whether you love or hate John Mayer, there’s no denying that he is an amazing songwriter with unique instrumentals and meaningful lyrics. The songs above showcase the range of styles he has explored through his career, showing how his music evolves with him as an artist.

Shadow Days

During the two years between the release of Battle Studies and Born And Raised, Mayer endured a backlash from Playboy and was treated for granulomas on his vocal cords. Despite his hardships, he still managed to produce the album that showcased a more country and folk-oriented sound.

Mayer’s smooth vocals and monster ability on the guitar are well-documented, but his knack for writing nostalgic tunes also makes him one of music’s greatest romantics. This song is a perfect example, with piercing harmonies and slow-cooked grooves that set it apart from the rest of his best songs.

On The Way Home

John Mayer made his name as a wide-eyed prodigy on his debut Room for Squares, but he progressively broadened his scope with each album, spiking acoustic songcraft with jazz chords and literate turns of phrase. On Clarity, smooth horns (by the late Grammy-winner Roy Hargrove) and drums by Roots man Questlove come together for easy-listening perfection.

Even the most casual Mayer fans are bound to hum along to this song, whose lyrics speak to the soul with a Sting-like sultriness. It’s the kind of thing that would make you feel a little better about your own tabloid-worthy relationships.

Shot In The Dark

John Mayer’s music is not just a hit on record—it’s an experience. His live performances are mesmerizing, a testament to his mastery of the guitar and his smooth vocal range.

After establishing himself as a sensitive, acoustic singer-songwriter with Room for Squares, Mayer widened his approach, spiking his songcraft with jazz chords and literate turns of phrase. But even as he expanded his musical scope, his knack for capturing the essence of love and loss remained constant.

On this cover of Tom Petty’s 1989 classic, Mayer shows off his impressive range. His harmonies with eventual-ex Taylor Swift are a perfect match, evoking a Stevie Nicks meets Fleetwood Mac vibe.


After the relative success of Continuum and its focus on blues and contemporary soul, Mayer decided to explore his roots again. On Daughters, he sounds like someone who has a hard time reconciling his reputation as a ladies’ man with his personal struggle to find true love.

The track boasts a production by Don Was, who made his name in the ’80s helping middle-aged rockers adapt to modern styles without going overboard. He packages Mayer’s tale of heartache with an easygoing warmth designed to keep fingers tapping on steering wheels late into the afternoon.

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